Where Angels Fear to Tread: the Joys and Perils of Self-Publishing

WebDon’t blow your own trumpet, I was taught. It is unseemly. Attention seeking. Narcissistic even.

Fair enough.

This is the problem though: when you’re a self-publishing author, you don’t have a wingman taking care of the brass section. Any laudatory trumpeting will have to be done by yours truly, for you are not only an author, but also a blinkered editor, a dilettante publisher, a lethargic sales manager and a goofy media liaison officer. And don’t start me on the joys of completing business activity statements…

You get the picture: there is a point where writing a novel feels like the easy bit. Continue reading

self-publishing: seven stellar starting guides

© jijomathaidesigners 2015

© jijomathaidesigners 2015

At the start of this year I decided to look into publishing some of my short stories. I signed up for Euan Mitchell’s Digital Makeover course provided by Writers Victoria at Melbourne’s Wheeler Centre and started reading up on how to produce an e-book.

Now, half a year later, I am about to self-publish my second short story and I intend to go down the e-book path again when Resilience, my debut novel, is ready for publication.

The hardest parts about self-publishing are the writing and the marketing. The bit in the middle, creating and uploading an e-book, is quite enjoyable and relatively stress-free.

There is so much advice out there for anyone planning to create an e-book and I would like to share with you the books that I found particularly helpful.

Continue reading

resilience update #2: back to school

My big news over the past month is that I have attended Euan Mitchell’s Digital Makeover course organised by Writers Victoria at The Wheeler Centre. The 12–hour program was spread over four weeks and I found the course both comprehensive and stimulating. Euan gave us an overview of self–publishing and then taught us practical skills for formatting e–books and uploading them on Smashwords and Amazon’s Kindle. It was a fantastic course, ranging from purchasing ISBNs to marketing your work. Do not despair if you’ve missed the course: Euan’s immense practice wisdom can be found in Your book publishing options (2014). A fantastic resource, especially for Australian authors. Check out Euan’s website for details.

Meanwhile I keep hammering away at my novel. I am up to 63,000 words now (~58% into my first draft). Joy. Bliss. And yes, I intend to put Euan’s teaching into practice. I am planning to publish two short stories later this month. Check back here for details or on my brand new author’s page on Facebook.

using omnifocus and evernote to keep track of literary awards

findlay alley, melbourne, 2008 (image: ozengo @ purplezengoat)

Does this sound familiar: you subscribe to a newsletter because you are interested in a topic; the newsletters start arriving in your inbox, brimming with superbly relevant information, yet after a while you feel overwhelmed rather than stimulated. You face a forest of factoids, a twirl of tweets, hystËricÅl hyperlinks – you feel like abandoning your 1,274 facebook friends and retreat into the cave of caveats. You, my friend, may be suffering from informatosis.

This post describes how I am trying to turn the tide of information overload and chaos in one area of my life by using evernote and omnifocus to keep track of literary awards that I learn about via twitter or newsletters. How can you capture snippets of information, regain an overview and build a platform that you can use for action? If literary awards are ‘not your thing’, you may still be interested in the principle of storing information in evernote and tracking associated tasks and deadlines though omnifocus. Continue reading

newbie guide to digital self-publishing

My first experience with self-publishing was in the early 1970s. Think Jethro Tull and corduroy flares. I had written 30-odd poems and an uncle who taught young people with learning difficulties had run them off at work on a stencilling machine. His charges had created a rather lurid psychedelic pattern of bright red and teal blobs for the cover design. It had no discernible link to the contents of the slim volume, except that, like my poetry, it was a bit all over the place. It was all very high tech and professional, at the time. Distribution proved another challenge. The first five copies were easy of course (thanks Mum). As none of the local bookstores were interested, I ended up peddling my poetry at the end of pop concerts. That sort of worked, as people were generally in a good mood. I would target couples, handing a sample copy to the girl. If I was lucky she would say something profound like ‘oh, poetry’ and look up at her beau. The guy would then buy a copy, mainly to get rid of me I think. At least in those days you didn’t have to compete with long-stemmed roses. I think I sold some 60 copies and gave away another 25 (out of a print run of 100 copies).

Fast forward a couple of decades and I am once again contemplating self-publishing. This time, the whole publishing industry is in turmoil, with book store chains collapsing faster than you can say incunabulum. The likelihood of an unknown author landing a commercial contract for a novel is way outside the probability curve; just about as plausible as someone completing a PhD thesis on the Afghan Navy.

Yet, in a sweetly ironic way, the factors that led to this state of affairs, such as globalisation and the digital age, also contain solutions for aspiring authors.

I decided to ramp up my writing this year, as I have spent too much time on other people’s priorities and life is short. I also started thinking about publishing again and felt bewildered. Sure, I had downloaded and read e-books, but had never thought about them from an author’s perspective. Do you just upload a Word file? What about copyright, plagiarism and piracy? How could authors possibly survive with novels priced from $0.99 on Amazon?

I started googling and felt incredibly lucky that one of the first resources I came across was David Gaughran’s blog: Let’s get digital. How to self-publish, and why you should. The blog contains a wealth of information, including a link to David’s 180-page Let’s get digital guide published in July 2011.

The first part of the guide starts with an overview of the publishing industry in this era of digital revolution. David believes that ‘print is doomed’, bedevilled by rising costs, fewer outlets, short sale timeframes and reducing market share. The e-book, by contrast, will profit from an upward spiral driven by growing acceptance, low production costs and the capacity to maintain backlists almost indefinitely. David debunks a number of myths about self-publishing and shows, for example, that a self-publishing author can recoup production costs and earn royalties comparable to the advance offered by trade publishers.

The second part of the guide provides an overview of the self-publishing process. David explains how you can prepare your e-book for submission to different publishers (such as Amazon, Barnes & Noble and Smashwords) and emphasises the need to engage professionals for final editing and the book cover. He canvasses a number of pricing strategies and explains how you can use blogging and social networking to develop a marketing strategy that can continue to drive sales.

The third section consists of testimonials of more than thirty writers who have gone down the self-publishing path; and a final section provides advice on a range of issues including international markets, short story publishing and a list of writing resources.

This comprehensive guide testifies, not only to David’s professionalism as a writer, but also to his generosity of spirit in sharing this valuable resource – the product of hours of hard work – as a free download with anyone interested. As a fellow writer I seriously ask anyone downloading the guide to make a donation to David (there is a link to his PayPal account). The price of a long-stemmed rose maybe…